“It’s very easy for someone like you or me to get lost in an object, to accept certain ideas as fact without proper exploration.”
Mr. Churchwarry to Simon, p. 180
The Book of Speculation
Have you ever noticed how humans tend to seek the simplest, swiftest explanations for the situations we face? Look around — you’ll see that we all end up falling into this trap at one point or another (and probably repeatedly).
You may also notice that we have a strong urge to resist simple definition. Humans are funny creatures. We crave simplicity as we try to understand the world around us, but we go berserk the minute someone provides a simple explanation for something close or important to us.
Yeah, I fall into that trap too, and I try very hard to remain aware of it. One of the ways I do this is by finding opportunities to get out in the world. I go places, I meet people, I read books, I eat food, I work, I volunteer. In everything I do, I am here to listen, to learn, to fight against the trap. My hope is that, in the process, I expand my brain, elevate my understanding, and grow in my capacity for solidarity rather than fear. But it can be hard. Really hard. And sometimes isolating, because loads of people don’t share this view of the world.
I’d been looking for something that would help bridge the gap when I stumbled across Erika Swyler’s The Book of Speculation. Perhaps fittingly, the book was not what I expected. For those of you with interests in the circus, coastal life, book culture, or intergenerational stories, Swyler’s novel could be for you. Her storytelling — and her capacity to weave a story, within a story, within a story — is notable. But I’d like to pull back from that, and resist the urge to give you a standard book review.
What most impressed me about this particular novel was its sense of place. Swyler’s command of culture on Long Island dances off each page. She makes place a character worthy of discussion, something I see rarely in modern writing. We’ve become so introspective it hurts. Not the case here. Not by a longshot. Not if you know where to look.
At once a fine critic and a fierce advocate, Swyler shows all who are willing to see about a Long Island most will never choose to encounter — a Long Island that is at once beautiful and brutal, homey and alienating, historic and changing, rooted and disappearing. It’s the “and” in those phrases that matters. It’s the idea that a culture, a place, a person, or a thing can be more than the simple characterizations we create when we stop at speculation.
I have written here and elsewhere about those dangers. I speak from experience. As a North Carolinian living on Long Island, it makes my heart hurt when I hear individuals rail against what they think my home is, only to later hear these individuals’ plans for capitalizing on it. And, as a Long Islander by marriage and address, I’m becoming equally bothered by the reductivist views people have about this culture. Why? Because it’s one of my homes, it’s part of me, and no place is that simple, dammit. I feel obligated to love and protect it, for its own sake, as it is. It’s a force that cannot be stopped.
This story of home and obligation, of protection and love, is written all over Swyler’s pages. So if you missed it, go read her book again. It’s the undercurrent, the heart from which her novel beats. And, as with most things in life, if we resist the urge to over-simplify, to read only at the surface level, we might just see it, we might just find that it’s worth keeping. But certainly, don’t forget to enjoy the magic Swyler prepared along the way!
North by North Carolinian
Curious about speculation, or Swyler, or both? Start here, then find another circus 😉
(1) This interview Erika did for Newsday back in 2015. I was already a fan before I read this, and now I see why. She gets it. If you’re wondering what “it” is … read the interview, or better yet, read her book.
(2) This interview she did for New In Books. Wait ’til you get to the part about whac-a-mole. Then tell me you can’t conjure a great childhood memory or two afterwards.